17 August 2024, 1:00pm ET

Justine A. Chambers

The movement-based practice of Justine A. Chambers explores collaborative creation, close observation, and the idea of choreography as a living archive. Her interest in the choreography of the everyday often informs the performances she develops through periods of gestation and iteration. Responding to artist Gabrielle L’Hirondelle Hill’s reflections on berry picking as an intergenerational and familial activity, Chambers’ will activate the transmission, traceability, and transformation of such rituals as embodied forms of knowledge and record keeping.

Information

Justine A. Chambers is a dance artist and educator living on the ancestral and traditional territories of the Sḵwx̱wú7mesh, xʷməθkʷəy̓əm and səlilwətaɬ Nations. Chambers’s work has been hosted by Art Museum at University of Toronto (2024); Leonard and Bina Ellen Gallery, Montreal (2023); Libby Leshgold Gallery, Emily Carr University of Art and Design (2023); Contemporary Art Gallery, Vancouver (2023); Teck Gallery, Simon Fraser University (2022); Western Front, Vancouver (2021); Morris and Helen Belkin Art Gallery, University of British Columbia (2021); National Arts Centre, Ottawa (2020); Artspeak, Vancouver (2019); Hong Kong Performing Arts Festival (2019); Sophiensaele, Berlin (2019); Cantor Fitzgerald Gallery, Haverford College (2018); and Agora de la Danse, Montreal (2017). She was long listed for the Sobey Art Award (2023), and is the recipient of the Chrystal Dance Prize (2017, 2023), and the Lola Dance Award (2017). She is currently on faculty at the School for the Contemporary Arts at Simon Fraser University and completed a MFA in interdisciplinary art in 2024. Chambers is Max Tyler-Hite’s mother.

About the Series

fORUM is Mercer Union’s ongoing series of talks, lectures, interviews, screenings, and performances.