Location:

Platform Stage, Metro Toronto Convention Centre

255 Front St W, Toronto, ON M5V 2W6

Speakers:

Ann Marie Peña, Curator, National Gallery of Canada
Aamna Muzaffar, Curator, Mercer Union
Allison Glenn, Curator, Toronto Biennial of Art

Description:

Curators Aamna Muzaffar, Alison Glenn and Ann Marie Peña are in conversation discussing artist Rouzbeh Akhbari’s newly commissioned multi-media installation Of Wood and Diesel, currently on exhibition at Mercer Union, co-presented with the Toronto Biennial of Art.

The conversation will consider what it means to collaborate on the development of a work within the current arts eco-system in Canada. Co-commissioned by the National Gallery of Canada; Mercer Union, Toronto; the Toronto Biennial of Art; and HANGAR Centro de Investigação Artística, Lisbon; and organized by Mercer Union for its first presentation in September 2026, Of Wool and Diesel demonstrates how collaboration can sustain artistic and institutional development, as well as collection building. The work has been conceived with future iterations in mind, allowing it to travel beyond its initial presentation and encounter communities across Canada. Within this context, the panel will further reflect on the aspirations of the National Gallery of Canada’s National Engagement initiative: to work in partnership with local organizations, and consider how artworks can enter into the lived realities of communities in new and meaningful ways.

Working across film, installation, archival research and fieldwork, Akhbari’s practice examines the political ecology of borders, trade, infrastructure, and human geography. The curators will discuss how the artist’s work attends to the intimate and often invisible forms of labour, exchange, and power that organize contemporary life. Of Wool and Diesel, nurtured along through conversations with Muzaffar spanning the past few years, emerged from Akhbari’s research in maritime border zones along the International North–South Transit Corridor. The project brings together a moving-image piece, a series of print works, and a large-scale felted wool floor installation, drawing directly on the archival histories of shepherds, corsairs and the movements of people and cargo in the Strait of Hormuz. The curators discuss how the installation approaches contemporary geo-political borders as lived environments shaped by movement, memory, rumour, and embodied knowledge.

The panel will conclude with an audience Q&A.

To learn more about Curators in Conversation and ticketing, visit ArtToronto.ca